Protect “verbidiversity” or why I hate “impact” redux

In biology, we value biodiversity; each species brings something slightly different to the table, and so we worry about homogenizing the biosphere. The same risk is present with language—when we take words that are in the same “genus” (e.g. impact, influence, effect) but are different “species” with some genetic and functional differentiation, and essentially hybridize them, we eliminate distinctions between them and destroy the diversity of the vocabulary. Just as eliminating biodiversity weakens an ecosystem, eliminating “verbidiversity”— the nuances of meaning among similar words—weakens the language, and our ability to communicate powerfully.

In this vein, I’ve been reading a bunch of manuscripts and proposals recently and I am so sick of seeing “impact” used every time an author wanted to discuss how one variable influences another. One sentence really struck me though; that was because it didn’t just feel like the author was over-using “impact,” but was really mis-using it:

“The amount and duration of soil moisture impacts the time that soil microorganisms can be active and grow.”

This is modified from a line in the real document, which is of course, confidential. The use of “impact” in this context just reads wrong to me. The derivation of “impact” is from Latin “Impactus” which derives from “Impingere” according to the OED and other sources. Definitions include: To thrust, to strike or dash against. The act of impinging; the striking of one body against another; collision.

Thus, “impact” carries a sense of an event—something short and sharp. Boom! A physical blow. An “impact crater” occurs when an asteroid hits a planet. “Impact” is a weird word when what you really mean is a long-term influence.

“Impact” does also have a definition that doesn’t include a physical blow, but rather a metaphorical one. The implication is still, however, that the effect is dramatic:
1965    Listener 26 Aug. 297/1   However much you give them, you are not going to make a significant impact on growth, though you may make an impact in the charitable sense. [From the Oxford English Dictionary].

Even in the metaphorical sense, however, most, or at least many, good uses of “impact” still have a flavor of the event being short, even if the effect is long-lasting:
1969    Ld. Mountbatten in  Times 13 Oct. (India Suppl.) p. i/1   He [sc. Gandhi] made such an impact on me that his memory will forever remain fresh in my mind.. [OED]

Or consider:
1966    Economist 10 Dec. 1144/3   What has had an impact on food distributors, apparently, is the opening of an investigation by the Federal Trade Commission into supermarket games and stamps. [OED]

In that sentence, it was the opening of the investigation that had the impact, and that opening was a single event. Lets go back, now, to the example that drew my attention:
“The amount and duration of soil moisture impacts the time that soil microorganisms can be active and grow.”

Or consider another sentence modified from another document:
“Mineralization and plant uptake directly impact soil N cycling.”

In these sentences “impact” is nothing but a synonym for “influences” or “affects.” It doesn’t even imply a dramatic or an abrupt effect; it’s just expressing a relationship. So to me, using “impact” this way is a poor choice. Using a word that implies an abrupt or dramatic influence to just say that there is some relationship steals power and nuance from the word “impact.” It damages “verbidiversity” and our ability to express sophisticated thoughts and ideas.

I know I’ve got a bug up my butt about the over-use of “impact” to express every possible relationship, but good writing involves being thoughtful about which words you choose and how you use them. English has an enormous vocabulary, the greatest verbidiversity of any language on Earth, having taken words from Anglo-Saxon, Norman-French, Latin, and others. But even when we have adapted a word and somewhat altered its meaning from its native language, a ghost of the word’s original definition commonly lingers. Be sensitive to those lingering implications, and use your words thoughtfully. Note that “impact” isn’t the only word that suffers from overuse, misuse, or just plain confusing use—its just one that I’m allergic enough to to motivate a blog post.

If nothing else, using language thoughtfully means it may be more likely that a reviewer is paying rapt attention to the cool science you are trying to sell, instead of writing a blog post about how your language annoyed him (even if he still thinks the science is cool). That could mean the difference between a $1 Million grant and a polite declination.

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Sep 13, Grand Remembrances

Today is Grandparents Day in the United States. Being a Grand is a special honor. I feel very blessed that my wife and I have two grandchildren. We were able to visit them today. Yes, we are still being cautious with the coronavirus, but we also find it very difficult to not see them when they live so close. So today we did drop by to visit Jacob (age 10) and Sophia (age 7) along with their parents. We brought donuts and caught up with them. Our grandchildren are still pretty young and this is a precious time in their lives – and ours!

I wish I had known my grandparents better. We never lived in the same place. Dad was a career Air Force pilot, so we moved around a lot. But we did get to see them once in a while when they would visit us, or we them.

A Plague of Giants

There are five known magical ‘kennings’ or types: air, water, fire, earth, and plants. Each nation specializes in of these kennings, and the magic influences the society. There’s a big pitfall with this diversity of ability and locale–not everyone gets along.

Enter the Hathrim giants, or ‘lavaborn’ whose kenning is fire. Where they live the trees that fuel their fire are long gone, but the giants are definitely not welcome anywhere else. They’re big, they’re violent, and they’re ruthless. When a volcano erupts and they are forced to evacuate, they take the opportunity to relocate. They don’t care that it’s in a place where they aren’t wanted.

I first read Kevin Hearne’s Iron Druid books and loved them (also the quirky The Tales of Pell), so was curious about this new venture, starting with A PLAGUE OF GIANTS. Think Avatar: The Last Airbender meets Jim Butcher’s Codex Alera series. Elemental magic, a variety of races, different lands. And it’s all thrown at you from page one.

But this story is told a little differently. It starts at the end of the war, after a difficult victory, and a bard with earth kenning uses his magic to re-tell the story of the war to a city of refugees. And it’s this movement back and forth in time and between key players in this war that we get a singularly grand view of the war as a whole. Hearne uses this method to great effect.

There are so many interesting characters in this book that I can’t cover them all here. Often in books like this such a large cast of ‘main’ character can make the storytelling suffer, especially since they don’t have a lot of interaction with each other for the first 3/4 of the book–but it doesn’t suffer, thankfully. And the characterization is good enough, despite these short bursts, that by the end we understand these people and care about what happens to them.

If there were a main character it would be Dervan, a historian who is assigned to record (also spy on?) the bard’s stories. He finds himself caught up in machinations he feels unfit to survive. Fintan is the bard from another country, who at first is rather mysterious and his true personality is hidden by the stories he tells; it takes a while to understand him. Gorin Mogen is the leader of the Hathrim giants who decide to find a new land to settle. He’s hard to like, but as far as villains go, you understand his motivations and he can be even a little convincing. There’s Abhi, the son of hunters, who decides hunting isn’t the life for him–and unexpectedly finds himself on a quest for the sixth kenning. And Gondel Vedd, a scholar of linguistics who finds himself tasked with finding a way to communicate with a race of giants never seen before (definitely not Hathrim) and stumbles onto a mystery no one could have guessed: there may be a seventh kenning.

There are other characters, but what makes them all interesting is that they’re regular people (well, maybe not Gorin Mogen or the viceroy–he’s a piece of work) who become heroes in their own little ways, whether it’s the teenage girl who isn’t afraid to share vital information, to the scholars who suddenly find how crucial their minds are to the survival of a nation, to the humble public servants who find bravery when they need it most. This is a story of loss, love, redemption, courage, unity, and overcoming despair to not give up. All very human experiences by simple people who do extraordinary things.

Hearne’s worldbuilding is engaging. He doesn’t bottle feed you, at first it feels like drinking from a hydrant, but then you settle in and pick up things along the way. Then he shows you stuff with a punch to the gut. This is no fluffy world with simple magic without price. All the magic has a price, and more often than not it leads you straight to death’s door. For most people just the seeking of the magic will kill you. I particularly enjoyed the scenes with Ahbi and his discovery of the sixth kenning and everything associated with it. But giants? I mean, really? It isn’t bad enough fighting people who can control fire that you have to add that they’re twice the size of normal people? For Hearne if it’s war, the stakes are pretty high, and it gets ugly.

The benefit of the storytelling style is that the book, despite its length, moves along steadily (Hearne is no novice, here). The bits of story lead you along without annoying cliffhangers (mostly), and I never got bored with the switch between characters. It was easy to move between them, and they were recognizable enough that I got lost or confused. The end of the novel felt a little abrupt, but I guess that has more to do with I was ready for the story to continue, despite the exiting climax.

If you’re looking for epic fantasy with fun storytelling and clever worldbuilding, check out A PLAGUE OF GIANTS.

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The Artwork Of Gary Choo

Gary Choo is a concept artist/illustrator based in Singapore. I’ve know Gary for a good many years ( 17, actually ), working together in animation studios in Singapore like Silicon Illusions and Lucasfilm. Gary currently runs an art team at Mighty Bear Games, but when time allows he also draws covers for Marvel comics, and they’re amazing –

The Art Of Gary Choo
The Art Of Gary Choo
The Art Of Gary Choo
The Art Of Gary Choo
The Art Of Gary Choo

To see more of Gary’s work or to engage him for freelance work, head down to his ArtStation.

The post The Art Of Gary Choo appeared first on Halcyon Realms – Art Book Reviews – Anime, Manga, Film, Photography.

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