On-line workshop: English idiomatic expressions translated into Spanish – Half 9

Aquí va la penúltima sesión del taller bilingüe de frases hechas. Espero que sean de tu interés:

Stuffed with scorching air=Palabrería, hablar por hablar.

My boss retains promising to offer me a pay rise however the more money by no means comes. He is filled with scorching air!
Mi jefe no hace más que prometerme una subida de sueldo, pero la subida nunca llega. ¡Lo suyo es sólo palabrería!

Some politicians are stuffed with scorching air. They by no means take into account what’s finest for the nation. Their primary concern is what’s finest for themselves: Lo de algunos políticos es pura palabrería. No les importa lo que es mejor para el país. Su principal preocupación es qué es lo mejor para sí mismos.BBC Studying English

Blow your individual trumpet (BrE) / Blow your individual horn (AmE)=No tener abuela, colgarse medallas, echarse flores, venderse.

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Idiomatic expressions

An unbiased ladies’ college is holding a “blow your individual trumpet” week to assist over-pressured, high-achieving pupils who discover it troublesome to just accept that they’ve been successful: Un colegio femenino independiente está celebrando su semana de “échate flores” para ayudar a las alumnas de alto rendimiento y con exceso de presión a quienes resulta difícil aceptar sus logros. BBC Information

The right way to… blow your individual trumpet in interviews: Cómo…venderse en las entrevistas de trabajo. The Guardian

Take its / a toll (on)=Pasar factura (a).

The issues of the previous few months have taken their toll on her well being and there are shadows beneath her eyesLos problemas de los últimos meses le han pasado factura a la salud y tiene ojeras.
The deepening recession has additionally taken its toll within the south of the nation, the place unemployment is rife: La recesión rampante también ha pasado factura en el sur del país, donde el desempleo está a la orden del día.

One of many worst droughts in dwelling reminiscence is taking its toll on each folks and wildlife in Kenya: Una de las peores sequías que se recuerda pasa factura tanto a los habitantes como a la fauna en Kenia. BBC Information

Expertise Takes its Toll on Teen Sleep: La tecnología pasa factura al sueño de los adolescentes. Education

Ring a bell=Sonarle /decirle a uno.
images6 - On-line workshop: English idiomatic expressions translated into Spanish - Half 9

The identify rang a bell however I could not bear in mind the place I had heard it earlier than: Me sonaba el nombre pero no recordaba dónde lo había oído.

No, I am sorry, that description does not ring any bells with me: No, lo siento, esa descripción no me cube nada.

That rings a bell: Eso me suena.

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Experience (on) a wave=Sacar provecho, aprovechar el tirón, sacar partido.

The candidate is driving on a wave of recognition and is anticipated to win the election: El candidato está sacando partido de la popularidad y se espera que gane las elecciones.

British athletes rode a wave of patriotism through the London Olympics, profitable extra medals than the nation ever had earlier than: Los atletas británicos sacaron provecho del patriotismo en las Olimpiadas de Londres ganando más medallas que nunca en su historia. BBCLearning English

Restaurant traders trip the crest of a Mexican wave: Los inversores en restauración aprovechan el tirón de la demanda de la cocina mejicana. The Unbiased

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Within the limelight=En el candelero, el centro de atención, en el punto de mira.

She’s been within the limelight not too long ago, following the discharge of her controversial new movie:  Recientemente ha estado en el candelero.tras el estreno de su nueva y controvertida película.
Talks on bailout exit put Eire again in European political limelight: Conversaciones sobre la salida del rescate colocan a Irlanda de nuevo en el punto de mira de la política europea. The Irish Occasions
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Sep 13, Grand Remembrances

Today is Grandparents Day in the United States. Being a Grand is a special honor. I feel very blessed that my wife and I have two grandchildren. We were able to visit them today. Yes, we are still being cautious with the coronavirus, but we also find it very difficult to not see them when they live so close. So today we did drop by to visit Jacob (age 10) and Sophia (age 7) along with their parents. We brought donuts and caught up with them. Our grandchildren are still pretty young and this is a precious time in their lives – and ours!

I wish I had known my grandparents better. We never lived in the same place. Dad was a career Air Force pilot, so we moved around a lot. But we did get to see them once in a while when they would visit us, or we them.

A Plague of Giants

There are five known magical ‘kennings’ or types: air, water, fire, earth, and plants. Each nation specializes in of these kennings, and the magic influences the society. There’s a big pitfall with this diversity of ability and locale–not everyone gets along.

Enter the Hathrim giants, or ‘lavaborn’ whose kenning is fire. Where they live the trees that fuel their fire are long gone, but the giants are definitely not welcome anywhere else. They’re big, they’re violent, and they’re ruthless. When a volcano erupts and they are forced to evacuate, they take the opportunity to relocate. They don’t care that it’s in a place where they aren’t wanted.

I first read Kevin Hearne’s Iron Druid books and loved them (also the quirky The Tales of Pell), so was curious about this new venture, starting with A PLAGUE OF GIANTS. Think Avatar: The Last Airbender meets Jim Butcher’s Codex Alera series. Elemental magic, a variety of races, different lands. And it’s all thrown at you from page one.

But this story is told a little differently. It starts at the end of the war, after a difficult victory, and a bard with earth kenning uses his magic to re-tell the story of the war to a city of refugees. And it’s this movement back and forth in time and between key players in this war that we get a singularly grand view of the war as a whole. Hearne uses this method to great effect.

There are so many interesting characters in this book that I can’t cover them all here. Often in books like this such a large cast of ‘main’ character can make the storytelling suffer, especially since they don’t have a lot of interaction with each other for the first 3/4 of the book–but it doesn’t suffer, thankfully. And the characterization is good enough, despite these short bursts, that by the end we understand these people and care about what happens to them.

If there were a main character it would be Dervan, a historian who is assigned to record (also spy on?) the bard’s stories. He finds himself caught up in machinations he feels unfit to survive. Fintan is the bard from another country, who at first is rather mysterious and his true personality is hidden by the stories he tells; it takes a while to understand him. Gorin Mogen is the leader of the Hathrim giants who decide to find a new land to settle. He’s hard to like, but as far as villains go, you understand his motivations and he can be even a little convincing. There’s Abhi, the son of hunters, who decides hunting isn’t the life for him–and unexpectedly finds himself on a quest for the sixth kenning. And Gondel Vedd, a scholar of linguistics who finds himself tasked with finding a way to communicate with a race of giants never seen before (definitely not Hathrim) and stumbles onto a mystery no one could have guessed: there may be a seventh kenning.

There are other characters, but what makes them all interesting is that they’re regular people (well, maybe not Gorin Mogen or the viceroy–he’s a piece of work) who become heroes in their own little ways, whether it’s the teenage girl who isn’t afraid to share vital information, to the scholars who suddenly find how crucial their minds are to the survival of a nation, to the humble public servants who find bravery when they need it most. This is a story of loss, love, redemption, courage, unity, and overcoming despair to not give up. All very human experiences by simple people who do extraordinary things.

Hearne’s worldbuilding is engaging. He doesn’t bottle feed you, at first it feels like drinking from a hydrant, but then you settle in and pick up things along the way. Then he shows you stuff with a punch to the gut. This is no fluffy world with simple magic without price. All the magic has a price, and more often than not it leads you straight to death’s door. For most people just the seeking of the magic will kill you. I particularly enjoyed the scenes with Ahbi and his discovery of the sixth kenning and everything associated with it. But giants? I mean, really? It isn’t bad enough fighting people who can control fire that you have to add that they’re twice the size of normal people? For Hearne if it’s war, the stakes are pretty high, and it gets ugly.

The benefit of the storytelling style is that the book, despite its length, moves along steadily (Hearne is no novice, here). The bits of story lead you along without annoying cliffhangers (mostly), and I never got bored with the switch between characters. It was easy to move between them, and they were recognizable enough that I got lost or confused. The end of the novel felt a little abrupt, but I guess that has more to do with I was ready for the story to continue, despite the exiting climax.

If you’re looking for epic fantasy with fun storytelling and clever worldbuilding, check out A PLAGUE OF GIANTS.

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The Artwork Of Gary Choo

Gary Choo is a concept artist/illustrator based in Singapore. I’ve know Gary for a good many years ( 17, actually ), working together in animation studios in Singapore like Silicon Illusions and Lucasfilm. Gary currently runs an art team at Mighty Bear Games, but when time allows he also draws covers for Marvel comics, and they’re amazing –

The Art Of Gary Choo
The Art Of Gary Choo
The Art Of Gary Choo
The Art Of Gary Choo
The Art Of Gary Choo

To see more of Gary’s work or to engage him for freelance work, head down to his ArtStation.

The post The Art Of Gary Choo appeared first on Halcyon Realms – Art Book Reviews – Anime, Manga, Film, Photography.