A New Job, a New Voyage, An Endangered Species

The rain has finally come to California, bringing with it the promise of new growth and greenery.  As it rains outside the window I am inside,  surrounded by loosely organized piles of clothes, books, outdoor gear, and laptop peripherals attempting to fit my life into two 20kg bags.  Before I go I need to take care of all those technological tasks our life is filled with as well, back up my computers, transfer my iPhone and iPad to a different computer (Apple, you really need to make that easier to do), and do the final run-through on what I am taking with me.  Despite all this, my mind is only partially on the task at hand.

Several weeks ago I was offered a position working on primate conservation in northern Vietnam and my mind is on the location, the people I will be working with, and the upcoming tasks.

Northern Vietnam, Southern China, and the Gulf of Tonkin – NASA image

This is exciting, not in the least because Vietnam, like much of South East Asia, (and Southern China) lies firmly in one of the great biodiversity hotspots of the world.  Northern Vietnam is on the edge of Sundaland, a name for the vast expanse of what used to be land connecting the Southeast Asian mainland to Borneo and the Indonesian islands, now mainly under water and expressed as the Sunda Shelf.  During the last ice age this is thought to have been a broad grassland spotted with mountain forests and laced with broad rivers.  For nearly 100,000 years plants and animals moved back and forth across this landscape, becoming wide-spread and subsequently isolated as the rising seas flooded the lowlands, leaving the complex arrangement of islands and peninsulas we now see.

This exposure and inundation of land in this part of the world has been taking place for a long time.  This combined with the vigorous tectonic activity of the region has led to a wonderfully complex region topographically, and subsequently (or in conjunction) biologically.

Sundaland showing current and proposed past rivers

Sundaland showing current and proposed past rivers (source)

This submerged region is now thought to be the cradle of the Asian population, the “Out of Sundaland Theory”, although there is a competing “Out of Taiwan Theory” as well.  Where I will be working is only loosely in former Sundaland, a melding point between Sundaland and the complex geography of Southern China and Northern Laos.  In any event hominids, and later humans have been exploring and living in South East Asia for a long time, and that span of time has allowed tremendous cultural and linguistic complexity to develop as well.  This is one of the places that our most successful and long-lived hominid ancestors, Homo erectus, lived.

I will be on the edge of this region, just off the coast of northern Vietnam, on the northern margin of the Red River delta not too far from the Chinese border.  The location is Ha Long Bay, a dramatic karst landscape that is both mature and submerged.  The ingredients for a karst landscape are limestone and time, lots of both.  In some parts of the world the only signifying features of kart landscapes are rich soils (lots of cations) and , if it is wet, periodic sinkholes.  Where water is in abundance caves are common, as groundwater is often mildly acidic which erodes the limestone.  Over time continued erosion wears down the limestone bedrock to such a great degree that all that is left are startlingly steep sided hills, separated by flat valleys.  This is a mature karst landscape.  In Sundaland some of these mature karst regions were flooded when the sea level rose resulting in a dream-like landscape that looks like something Hayao Miyazaki would imagine if he were to direct a pirate movie.

640px Ha Long Bay on a sunny day - A New Job, a New Voyage, An Endangered Species

Ha Long Bay mature submerged karst landscape (source)

Places like Ha Long Bay are excellent examples of island biogeography.  Islands are often home to endemic species, the tortoises and finches on the Galapagos Islands are the classic example of this, made famous by Darwin.  Animals and plants that make their way to an island, or are trapped by rising seas or continental drift become isolated and diverge from their ancestors.  This is the essence of island biogeography and the recognition of how finch beaks on the Galapagos changed in response to the limited food sources available on the islands helped Darwin to recognize how evolution takes place.  My personal hero in the tale of evolution, Wallace, worked in the submerged island remnants of Sundaland and experienced the same insights as Darwin.  Ha Long Bay is a small area, but has its own endemic species, many of them we probably know little to nothing about.

One we do know of is the Cat Ba Langur (Trachypithecus poliocephalus poliocephalus), a dark haired leaf eating monkey with white heads and brilliant golden furred babies.  They are found only on Cat Ba Island, one of the largest islands in the Ha Long Bay, and are critically endangered.  Critically is an understatement, there are less than a hundred of these primates alive in the world.  And. That. Is. All. There. Are.

Cat Ba hooded black langur pair on rock one holding infant - A New Job, a New Voyage, An Endangered Species

Cat Ba Langur on limestone cliffs. [EDIT – the photo I previously had here was of the closely related White-Headed Langur – it was mislabeled as a Cat Ba Langue at the source I found it]

In 25 hours I get on a flight to Hanoi to take part in an effort to both keep these primates from going extinct and to conserve the biodiversity of the island.  There are a lot of moving parts in the project, many partners at all levels, and only a few of us on the ground to keep everything running smoothly.

I’m excited, eager, and somewhat intimated.  I leave tomorrow.

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Sep 13, Grand Remembrances

Today is Grandparents Day in the United States. Being a Grand is a special honor. I feel very blessed that my wife and I have two grandchildren. We were able to visit them today. Yes, we are still being cautious with the coronavirus, but we also find it very difficult to not see them when they live so close. So today we did drop by to visit Jacob (age 10) and Sophia (age 7) along with their parents. We brought donuts and caught up with them. Our grandchildren are still pretty young and this is a precious time in their lives – and ours!

I wish I had known my grandparents better. We never lived in the same place. Dad was a career Air Force pilot, so we moved around a lot. But we did get to see them once in a while when they would visit us, or we them.

A Plague of Giants

There are five known magical ‘kennings’ or types: air, water, fire, earth, and plants. Each nation specializes in of these kennings, and the magic influences the society. There’s a big pitfall with this diversity of ability and locale–not everyone gets along.

Enter the Hathrim giants, or ‘lavaborn’ whose kenning is fire. Where they live the trees that fuel their fire are long gone, but the giants are definitely not welcome anywhere else. They’re big, they’re violent, and they’re ruthless. When a volcano erupts and they are forced to evacuate, they take the opportunity to relocate. They don’t care that it’s in a place where they aren’t wanted.

I first read Kevin Hearne’s Iron Druid books and loved them (also the quirky The Tales of Pell), so was curious about this new venture, starting with A PLAGUE OF GIANTS. Think Avatar: The Last Airbender meets Jim Butcher’s Codex Alera series. Elemental magic, a variety of races, different lands. And it’s all thrown at you from page one.

But this story is told a little differently. It starts at the end of the war, after a difficult victory, and a bard with earth kenning uses his magic to re-tell the story of the war to a city of refugees. And it’s this movement back and forth in time and between key players in this war that we get a singularly grand view of the war as a whole. Hearne uses this method to great effect.

There are so many interesting characters in this book that I can’t cover them all here. Often in books like this such a large cast of ‘main’ character can make the storytelling suffer, especially since they don’t have a lot of interaction with each other for the first 3/4 of the book–but it doesn’t suffer, thankfully. And the characterization is good enough, despite these short bursts, that by the end we understand these people and care about what happens to them.

If there were a main character it would be Dervan, a historian who is assigned to record (also spy on?) the bard’s stories. He finds himself caught up in machinations he feels unfit to survive. Fintan is the bard from another country, who at first is rather mysterious and his true personality is hidden by the stories he tells; it takes a while to understand him. Gorin Mogen is the leader of the Hathrim giants who decide to find a new land to settle. He’s hard to like, but as far as villains go, you understand his motivations and he can be even a little convincing. There’s Abhi, the son of hunters, who decides hunting isn’t the life for him–and unexpectedly finds himself on a quest for the sixth kenning. And Gondel Vedd, a scholar of linguistics who finds himself tasked with finding a way to communicate with a race of giants never seen before (definitely not Hathrim) and stumbles onto a mystery no one could have guessed: there may be a seventh kenning.

There are other characters, but what makes them all interesting is that they’re regular people (well, maybe not Gorin Mogen or the viceroy–he’s a piece of work) who become heroes in their own little ways, whether it’s the teenage girl who isn’t afraid to share vital information, to the scholars who suddenly find how crucial their minds are to the survival of a nation, to the humble public servants who find bravery when they need it most. This is a story of loss, love, redemption, courage, unity, and overcoming despair to not give up. All very human experiences by simple people who do extraordinary things.

Hearne’s worldbuilding is engaging. He doesn’t bottle feed you, at first it feels like drinking from a hydrant, but then you settle in and pick up things along the way. Then he shows you stuff with a punch to the gut. This is no fluffy world with simple magic without price. All the magic has a price, and more often than not it leads you straight to death’s door. For most people just the seeking of the magic will kill you. I particularly enjoyed the scenes with Ahbi and his discovery of the sixth kenning and everything associated with it. But giants? I mean, really? It isn’t bad enough fighting people who can control fire that you have to add that they’re twice the size of normal people? For Hearne if it’s war, the stakes are pretty high, and it gets ugly.

The benefit of the storytelling style is that the book, despite its length, moves along steadily (Hearne is no novice, here). The bits of story lead you along without annoying cliffhangers (mostly), and I never got bored with the switch between characters. It was easy to move between them, and they were recognizable enough that I got lost or confused. The end of the novel felt a little abrupt, but I guess that has more to do with I was ready for the story to continue, despite the exiting climax.

If you’re looking for epic fantasy with fun storytelling and clever worldbuilding, check out A PLAGUE OF GIANTS.

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The Artwork Of Gary Choo

Gary Choo is a concept artist/illustrator based in Singapore. I’ve know Gary for a good many years ( 17, actually ), working together in animation studios in Singapore like Silicon Illusions and Lucasfilm. Gary currently runs an art team at Mighty Bear Games, but when time allows he also draws covers for Marvel comics, and they’re amazing –

The Art Of Gary Choo
The Art Of Gary Choo
The Art Of Gary Choo
The Art Of Gary Choo
The Art Of Gary Choo

To see more of Gary’s work or to engage him for freelance work, head down to his ArtStation.

The post The Art Of Gary Choo appeared first on Halcyon Realms – Art Book Reviews – Anime, Manga, Film, Photography.

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