12 things that Kiefer Sutherland can teach us about torture that have nothing to do with the Lost Boys

Original Title: “What Can Be Infinitely Destroyed Is What Can Infinitely Survive”: Literary and Filmic Representations of Political Torture from Algiers to Guantánamo

ABSTRACT

This thesis takes the post-9/11 Anglo-American torture debate as the territory for its analysis of the multiple and overlapping ways that cultural representations are implicated in political discourses regarding the practice of political torture by Western liberal democracies in the twenty-first century. Firstly, it makes the historical-political claim that the post-9/11 torture debate reveals the continuing existence and influence not only of colonial discourses and representations but of colonial political constellations and colonial forms of violence. Drawing on Giorgio Agamben’s work on the state of exception, I argue that despite claims of the newness of the post-Cold War geopolitical paradigm, political torture in the twenty-first century takes familiar concentrationary and disciplinary forms. Further, specific colonial discourses continue to frame contemporary debates about political torture; using the Algerian War of Independence as a lens, the thesis demonstrates this continuity through original readings of The Centurions (1960), The Battle of Algiers (1966), and The Little Soldier (1960/63).

The dominant way that torture has been discussed in the context of the post-9/11 Global War on Terrorism is in terms that justify or normalise it. This thesis reads the revitalisation of colonial discourses in the second series of 24 (2002-3) as evidence of this. Further, it argues that anti-torture human rights texts such as Rendition (2007) have provided inadequate resistance to justificatory discourse. Nonetheless, narratives that successfully oppose political torture are possible, and this thesis sketches the beginnings of a canon of them: drawing on the phenomenological ethics of Emmanuel Levinas to perform readings of representations of Abu Ghraib – Standard Operating Procedure (2008) – and Guantánamo Bay – The Road to Guantánamo (2006), Guantánamo: Honor Bound to Defend Freedom (2004) and Guantánamo (2004) – the project explores the ways that ethical address, testimony, and an activist focus on facts can produce meaningfully resistant anti-torture narratives.

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BEANSTALKER and OTHER HILARIOUS SCARY TALES by Kiersten White / Book Review #BeanStalker

By: Kiersten White
Published by: Scholastic
Released on: July 25th, 2017
Ages: 8 & up
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Rating: 5 Owlets
An arc of this book was provided by the publisher in exchange for my honest review

What about, once upon a time, a bunch of fairy tales got twisted around to be completely hilarious, a tiny bit icky, and delightfully spooky scarytales; in other words, exactly what fairy tales were meant to be. Grab some flaming torches, maybe don’t accept that bowl of pease porridge, and get ready for a wickedly fun ride with acclaimed author Kiersten White and fairy tales like you’ve never heard them before.

Snow White is a vampire, Little Red Riding Hood is a zombie, and Cinderella is an arsonist — and that is only some of the mayhem the reader will find in this collection of fractured fairy tales.

A laugh out loud debut middle grade book from one of my favorite YA authors. Kiersten White has created my favorite mix of fractured fairytales and nursery rhymes to date! I loved the way she intertwined, and interconnected so many classics, and the spin she gave each one. If having vampires, zombies and stepmothers isn’t enough to entice you, the illustrations, and the narration will be. 

This is the perfect blend of fairytales and nursery rhymes. Who knew you could combine stories like Snow White, The Princess and the Pea, Jack & Jill, The Dish and The Spoon, Cinderella, Rapunzel, Jack Be Nimble, Jack and the Beanstalk, Little Red Riding Hood, and the Stepmother. White’s intertwining of these stories was awesome! Numerous times while reading this book I wondered how White was able to pull this off so well. 

The narration in this story is my favorite part of the entire book. Talk about sassy! The narrator definitely stole the show in this book. It’s what made this story so much fun to read. It’s not just their self awareness that makes the narrator so appealing either. The narrator would make a great language arts teacher. Numerous times in this story the narrator points out the homonym and homophone words that characters miss. Like The Princess and The Pea. Let’s just say it’s not, well, you wouldn’t want to sleep on that mattress. This narration definitely makes for the perfect, hilarious, read aloud. 

This book is a must read! It’s equal parts hilarious, and spooky, though it is way more hilarious than spooky. It’s spooky in the best way possible, because some of these characters are not the sweet, innocent characters we all grew up reading about. The spooky twists come from some of them being vampires and zombies. This may be written for middle grade readers, but it will definitely be appealing to all readers ages 8 and up. Including adults. It was part of my Halloween read up earlier this week, but this is one book that can be read all year long. 

Describing an interview-based assignment to writers

Recently a company contacted me to write an interview-based post for its blog. I’ve often done this for blog posts that show off the expertise of the company’s staff. However, what was unusual about this request was that I’d need to interview experts outside the company for the post. The need to find external experts makes an interview-based assignment more time-consuming and less attractive to writers. It’s more like writing a magazine article than a typical content marketing piece.

I learned later that the company’s marketing director had omitted an important piece of information when it described its interview-based assignment. It could have reduced my qualms about accepting an assignment requiring interviews of external experts. I describe it below.

The challenges of using external experts

Using external experts is challenging for two reasons.

First, it takes time to find and schedule them. If the writer doesn’t know relevant experts, a good deal of networking may be required to find them. That’s especially true if there’s no trade association or other group where such experts gather.

Scheduling can be more challenging than when working with a company’s internal experts. Internal experts are motivated to participate for the good of their employer (though they still can be challenging to schedule, but that’s another story). External experts don’t feel a pressing need for your company to succeed at its marketing.

Second, the experts may not wish to use their expertise on behalf of the company that’s your client. It’s generally less prestigious to appear on a corporate blog or in a corporate magazine than in a publication that’s perceived as independent. Also, the expert may worry about appearing to endorse the products or services offered by your client. On the other hand, some corporate publications don’t quote experts by name. That’s even worse because the expert gets no visibility in exchange for sharing insights.

The missing information

After I turned down the interview-based assignment, I learned that the marketing director had unwittingly withheld a piece of information that would have made it more attractive. He told me that he planned to find experts for the writer. That was potentially a big timesaver for the writer.

Of course, just naming experts isn’t enough. For the reasons mentioned above, experts may not want to help a corporate publication. However, if you’re a marketer assigning articles, and you can promise cooperative sources to your outside writers, that’s a big plus. Don’t hide that; feature it!

Of course, there’s other information that writers will seek, including:

  • Your topic, defined as specifically as possible
  • Pay
  • Word count
  • Place of publication
  • Target audience and why they’ll care about your topic
  • Your timeline and editing process

When you provide complete information up front, you’ll get a more realistic price from your writer. Also, the entire writing and editing process will go more smoothly.

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